Rarely has a song been so able to mix acoustic guitar and electronica. And yet this song sounds like both a folk song and dance music. When it was first introduced, live, the crowd of electronic music fans were reportedly confused and angered. It's a different type of song. But it works.
The stage name of Swedish DJ Tim Bergling, Avicii has been a prolific remixer for years. The vocals on this song were done by Aloe Blacc, with Mike Eizinger from Incubus providing the acoustic guitar.
22 January 2014
20 January 2014
20 January 2014 - Bowser and Blue - The Curling Song
A simple song about curling? That makes it clear that curlers "always get the girl"? Yes. Please.
Based in Montreal, George Bowser and Rick Blue have been performing together for more than 35 years, throughout Canada. Most of their stuff is comedic. This isn't. This is a serious folk song about curling.
Based in Montreal, George Bowser and Rick Blue have been performing together for more than 35 years, throughout Canada. Most of their stuff is comedic. This isn't. This is a serious folk song about curling.
16 January 2014
16 January 2014 - Tennis - Origins
This is the time of year when I start to really obsess over Tennis. The sport. Not the band. But they're pretty darn good too, so here's a video from their 2012 album Young & Old.
. . . and now I return to watching replays of last night's Australian Open...
. . . and now I return to watching replays of last night's Australian Open...
15 January 2014
15 January 2014 - Chumbawumba - Tubthumping
We'll be singing when we're winning.
I get knocked down. But I get up again. You're not ever gonna keep me down.
Pissing the night away. Pissing the night away.
He drinks a whiskey drink. He drinks a vodka drink. He drinks a lager drink. He drinks a cider drink. He sings the songs that remind him of the good times. He sings the songs that remind him of the better times.
Oh Danny Boy Danny Boy
Don't cry for me next door neighbor.
I didn't really think I could write anything better about the song than the lyrics. I mean, I could have told you that Chumbawumba is probably the least likely bunch of anarchists to ever have a big hit song. I could have written about their political slants, and how this song wasn't really the lighthearted drinking song that it seems to be on the surface.
I could have shared the Pete Postlethwaite quote from Brassed Off that actually opened the song.(start at the :23 mark of this speech).
But why do that? The lyrics are just so much better.
14 January 2014
14 January 2013 - St. Vincent - Actor Out Of Work
I just heard Birth In Reverse, the first single off St. Vincent's next album and it's all sorts of cool. She definitely has a unique, chaotic sound that continues to grow with each album. There's no video for Birth, so instead, we'll go with one of my favorite songs by her, Actor Out Of Work off of 2009's Actor album.
13 January 2014
13 January 2014 - Grimes - Genesis
When the main star of your video is known more for doing your video than her own music, you've truly accomplished something.
And yet, with this epic video, which prominently features Brooke Candy, Grimes has accomplished just that. Can you blame Grimes for the casting, though? I mean, there are several other actors in this video.... and your eye keeps going back to those long, pink braids and that complete metallic costume. It's said that Ms. Candy is one of the most charismatic characters in the L.A. party scene (which is what drew Claire Boucher (Grimes) to her) so her casting was perfect.
The song itself is a dreamy electronic marvel that, despite not completely understanding the lyrics - Grimes has a unique, pixie-like voice that makes me smile. Which is strange, because the lyrics are kind of sad, but beautiful. Musically, it's a lot of sample loops and keyboard work, which means that Grimes is doing it all herself, which is impressive.
Also, she is carrying a flaming sword at about the 4:48 mark of the video. Also impressive.
And yet, with this epic video, which prominently features Brooke Candy, Grimes has accomplished just that. Can you blame Grimes for the casting, though? I mean, there are several other actors in this video.... and your eye keeps going back to those long, pink braids and that complete metallic costume. It's said that Ms. Candy is one of the most charismatic characters in the L.A. party scene (which is what drew Claire Boucher (Grimes) to her) so her casting was perfect.
The song itself is a dreamy electronic marvel that, despite not completely understanding the lyrics - Grimes has a unique, pixie-like voice that makes me smile. Which is strange, because the lyrics are kind of sad, but beautiful. Musically, it's a lot of sample loops and keyboard work, which means that Grimes is doing it all herself, which is impressive.
Also, she is carrying a flaming sword at about the 4:48 mark of the video. Also impressive.
10 January 2014
10 January 2014 - Imagine Dragons - Radioactive
There are a lot of songs out there that I don't want to like. This is one of them. I mean, it's over the top, preachy, and somewhat annoying.
And yet, these very aspects that make the song one that I don't want to like are exactly what make it likeable. The over-the-top nature of the song gives it an epic feel, different than a lot of other stuff on pop radio. For sure, it's percussion-heavy, and Dan Reynolds needs to have a big enough voice to overcome that, which he does successfully. It's preachy, sure, but it does so in such a way that is catchy.
OK, I can't explain away annoying. I guess it just grew on me. Either that, or I'm a sucker for a music video with Lou Diamond Phillips and stuffed animals.
Still not convinced? I urge you to check out this live version of the song. First of all, it's in a slightly different key and it still works. Second of all, the big arena environment really lends itself well for such a huge, epic song. Finally, the band added both dubstep-y elements and a strings solo to the song, which, in my opinion, really enhance it.
And yet, these very aspects that make the song one that I don't want to like are exactly what make it likeable. The over-the-top nature of the song gives it an epic feel, different than a lot of other stuff on pop radio. For sure, it's percussion-heavy, and Dan Reynolds needs to have a big enough voice to overcome that, which he does successfully. It's preachy, sure, but it does so in such a way that is catchy.
OK, I can't explain away annoying. I guess it just grew on me. Either that, or I'm a sucker for a music video with Lou Diamond Phillips and stuffed animals.
Still not convinced? I urge you to check out this live version of the song. First of all, it's in a slightly different key and it still works. Second of all, the big arena environment really lends itself well for such a huge, epic song. Finally, the band added both dubstep-y elements and a strings solo to the song, which, in my opinion, really enhance it.
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