If you've been reading Totally Covered today, you know that we featured three tracks from the Knocks ft. Foster The People EP Melody and Silence.
As you may have guessed, this is track 4, which is the single. It is both melancholic and uplifting. Musically, The Knocks have always had a distinctive electronic sound. Adding Mark Foster to the mix - with whom they've collaborated in the past, and it shows - adds depth to an already rich, deep song.
My plea to you: go encourage your local radio station to play this song. The way music like this gets made is if music like this is supported.
Earl Simmons was born in Westchester County, and died in Westchester County this morning.
You knew him better as DMX. He was a groundbreaking artist, gone too soon.
DMX is still the only artist to have five consecutive albums debut at #1 on the Billboard album charts. A lot of hip hop artists before him chose accessible or angry forms of the music. His success showed that an artist can reach both.
He will be missed. He leaves a large catalog of music behind, perhaps none better known than this song.
We don't normally cover children's music here on Wicked Guilty Pleasures, especially when it wasn't music we grew up with.
The Wiggles made sure we made an exception for them, especially since we've now featured them twice in the last month on Totally Covered. If you didn't read yesterday's Totally Covered post, I strongly encourage you to do so.
This song, one of the signature Wiggles songs, first appeared on their 1994 album Yummy Yummy, so this version, from one of their many videos, features the classic, original Wiggles lineup. The song is earnest and inoffensive, and at the same time, teaches kids how to make a fruit salad.
Of course, the Wiggles are known for their live shows, too, and they do perform this song live, A LOT. You'll be happy to know that I listened to this song A LOT when I was writing this. I know definitively how to make a fruit salad now. This version, complete with a lot of dancing fruit, is from 2011 and their 20th Anniversary concert.
In 2013, the Wiggles changed, with only Anthony Field remaining from the original lineup. At that time, the modern lineup, with Lachlan Gillespie, Simon Pryce, and Emma Watkins debuted, and they've been quite popular with the modern kids. The original educational theory,
But the history of the Wiggles endures, and, rather than just tritely talking about bananas, apples and grapes, the Wiggles did something a little different to celebrate their 30th anniversary. They celebrated the concept that we're all like fruit salad, in the same bowl... while still acknowledging that fruit salad is, indeed, yummy yummy. It is truly a delicious tribute to the times we in which we live.
When the Wiggles (along with a couple of OG Wiggles) appeared on Triple J's "Like A Version" to perform, well, yesterday's Totally Covered post, they also performed their new song, live. Emma did not play drums this time.
Sometimes, a song is so mind-blowing and transcendent that I have to drop everything and reschedule posts just to make sure I fit them into these blogs as soon as possible.
This 2013 song from Australian psychedelic band Tame Impala is not that song. It is, however, a great song, that combines blues and psychedelic elements with a fantastic guitar riff that defies understanding. One of Kevin Parker's oldest songs, it was pulled out and recorded in 2013, and ended up being one of the band's most successful songs.
Lyrically, the song is a bit naughty - the trunk of the elephant is clearly metaphoric- and not just a tribute to Death From Above 1979 - and, for that reason, Kevin Parker found the song "shallow", but it isn't. It's rich and deep and sultry, a musical and lyrical journey.
But in this song, 21 Savage and ESPECIALLY Cardi B steal the show. Between the two of them, there is not a single low moment - no down time, no pause - in this song. And yet, the song does not feel rushed.
To his credit, Khaled is happy to give the spotlight to artists he clearly respects. This is the second time he had collaborated with each of them.
The three featured artists co-wrote the song with producer Tay Keith. "Wish Wish" peaked at #19 on the US pop charts.
I felt like this excellent tune, from the Phantogram album Eyelid Movies, is an appropriate post in a week when Derek Chauvin is currently on trial for his part in the death of George Floyd in police custody.
That's as political as we are going to get with this post.
Clearly, the protagonist in this song - sung by Josh Carter and not Sarah Barthel - is not a fan of the cops. Neither is the guy who made the video, Naje Lataillade, who very much thought through the imagery used. In Naje's words:
"...a sexy police woman comes into frame and gives chase to the crowd. The hipster wearing the PHANTOGRAM shirt is scared for his life. As we watch, we think, "Oh I get it, the song is called 'Running From The Cops'", but there is only one cop, not plural cops. Well, here in Brooklyn, cops equal pigs. So the next character to come out is a freak with a pig nose, dressed in all pink, carrying a bottle of swine flu. He looks angry and like he wants to raise hell. This explains why the people in the beginning were wearing medical masks, as he's spraying the swine flu everywhere. Even the cop is running from because swine flu kills 'pigs'."
The video is mostly in black in white, but there are splashes of blue and red/pink in the black and white. Those two colors are what are required to make a phantogram, the technology you may have seen in your 3D glasses of the 1980s.
It is interesting to watch the performance of this song from 2009. It is a song that is not only performed, but constructed and looped, synthesized to the nth degree to create something noisy and chaotic and beautiful. Second note: they're both multiinstumental.
With a fuller band, like they had in 2014, the song is still chaotic, but less electronic and looped, and more direct. If you happen to have one of those old pairs of 3D glasses, now might be a good time to put them on.
Even though we've featured Annie Clark here before - yes, Scott beat me to St. Vincent just like he beat me to Lights - it's likely none of you know who she is.
Or, at least, until you watched Saturday Night Live this weekend, right? Full disclosure, I'm writing this the day BEFORE she's scheduled to appear, and I didn't know about it until I started doing research for this post. In fact, because I discovered that fact, I moved this post to Monday. You deserve instant gratification.
It's a shame it took SNL to bring her to your attention, but here we are. Her music is poppy yet dark. Her 2017 album MASSEDUCATION is a revelation of sorts. This song, the second single from that album, is a commentary on the culture of Los Angeles, purposefully layered on top of distorted guitar and synth lines.
It's somewhat easy to lose the message in the synth of the song, but in 2018, St. Vincent released an piano version of the album, calling it MassEducation - see what she did there? She also performed the song live in an acoustic guitar version - here's an example of that. Notice how she retains the desperation of the third verse, even with a sparser accompaniment.
If you are here to hear the song St. Vincent performed on SNL this weekend, here it is. Her new album, Daddy's Home, is due to be released May 14th, and, since it's the first since MassEducation, we're pretty excited for it.
