I had to go ahead and just use all the special characters in this one.
You see, this was a breakthrough single for Mala Rodríguez in Spain, but Spanish TV banned this video. Something about a child as a drug dealer didn't sit well with the censors. However, that's what the song is about - a kid who wants to be a drug dealer like her dad.
I've said it before - people aren't used to a girl from Sevilla being so in-your-face with hip hop and talking about such taboo subjects - and so brilliantly.
This song is from 2003. So many years later, La Mala still performs it. Here she is in April, taking a break from her yoga content on Twitter, to perform the song live. Her performance at 42 is a little more laid back and subtle than at 24, but it's still epic and powerful, painting a colourful picture.
I had SO MUCH material for #MapleLeafMarch that I literally posted every day - and we rarely do weekend posts here - and even double posted for a couple of days.
I STILL have material.
Maybe I should make it an annual thing. Hmmmm.....
I somehow didn't get to Joni Mitchell, from Fort Macleod, Alberta. That's right. She's not only from Canada, she's from the part of Canada that 90% of the country doesn't live in. Clearly, she is a legend - winning many Grammys and Juno Awards. This song, from 1970, was one of her first hit singles, and it's a cheery-sounding song that actually decries the suburban sprawl that was happening at the time. It is still one of her best-known songs, and the message still resonates, more than a half century later.
That's right. Joni Mitchell has been making music for more than a half century. She's slowed down in her late 70's - largely due to a brain aneurysm rupture she suffered in 2015 - but she has not stopped.
Growing up, the Blake Babies were one of my very favorite bands. And, well, the solo stuff that came out of that band - the Lemonheads, Antenna, of course Juliana Hatfield, Some Girls - that was all excellent, but I always felt the Blake Babies ended too soon.
I was lucky enough to see the band live once, at the Iron Horse Cafe, where they performed this song but did cut their set short because 3/4 of the place left after fans of their opening act didn't stick around. Which is a shame, because I loved the show and made sure I told all of them I did. Freda Love (their drummer) was super nice.
Anyway, this was their first "big budget" video, and this is what they did. It got them some MTV airplay, anyway. The song itself was co-written by Hatfield and guitarist John Strohm and reads like the aspirational dreams of a painfully shy person - so I relate.
In early 2020, by pure chance (and by pure chance, I mean that Freda Love's band was opening for Juliana Hatfield in John Strohm's hometown), the band reunited for this song. They had lost NOT a single beat.
Classic music videos for songs released in 1975 don't often exist.
But then again, the male protagonist in this video would have been 1 in 1975.....
The song peaked at #36 on the Billboard Hot 100, making this the first top 40 hit for the band and kicking off a string of hit songs. I'm not going to talk about that. I'm going to talk about the drums. Now, you hardcore musicians know that, in a song in 4/4 time, the drum usually hits on the 2nd and 4th beat. In this song, it hits on 1 and 3. It's upside down, and it works, brilliantly.
The band broke up in the early 1980's but reformed in the mid 1980's and enjoyed a resurgence, leading to a release of this single, alongside this video, in 1991.
All these years later, the band still tours and still brings high energy. Here they are in a 2011 performance. Joe Perry's unusual background vocal is more pronounced here.
Sure, this is probably the second best known song by Moby, and it was released three years after I saw him live, which means he didn't perform the song.
This song is pretty heavily reliant on a sample - "Sometimes" by Bessie Jones - to the point that the the writers of that song are listed as co-writers on "Honey". It is very clearly Bessie Jones singing all the lyrics on this song. A later remix of the song included vocals from Kelis, but Jones is still central to the song. It doesn't exist without her.
To his credit, Moby adds a lot to the samples with his forte, and that's electronic music.
On days when we run out of ideas, we post about Madonna.
But she has had such a long career and so many guilty pleasures. So it's hard to avoid her.
Maybe we should have made her a Hall of Famer, instead. Oh well.
This song is from the soundtrack of the movie Austin Powers: The Spy Who Shagged Me and ended up being a pretty big worldwide hit. Ironically, because we were entering a digital era that the Billboard Charts had not yet accounted for, this song only reached #19 in the US, but that was WITHOUT single sales, which were a large aspect of the chart at the time. It was a much bigger hit in almost every other country.
On a personal note, I've been a fan of Madonna since her first album, and this was a high water mark for her, in my view.
The song has become something of a staple of hers live, even to this day. Madonna does not alter her voice much in studio (and it's a little on the huskier side so hitting notes isn't usually an issue).
40 years ago, at 12:01am on August 1, 1981, a new cable television station went on the air. That channel was, of course, Music Television, or MTV, for short.
You remember.
Famously, this was the very first video played on MTV. Although a 1979 release by Trevor Horn's project, The Buggles, it did have a small resurgence in 1981 because of this.
Technically, we posted this on the wrong blog. Here's why I'm giving it a pass. It was written by Trevor Horn and Geoff Downes, and Bruce Wooley - who were The Buggles. Wooley left to form Bruce Wooley and the Camera Club and released his version of the song FIRST. It's not the only song he took, but in the end, the Buggles version persisted.
Here is the Bruce Wooley and the Camera Club version of the song. The recording features another "one-hit wonder", Thomas Dolby, on keyboard.
Trevor Horn is still making music. Here he is with his band The Producers in 2014, performing the hit that made Trevor Horn a worldwide star. He's showing a bit more expression in this performance......
