1 July 2026 - A Canada Day Special - Ariane Roy - Le Grand Plaisir

I know my English language readers who aren't longtime hockey fans are pronouncing Ariane Roy's last night wrong right now. [ʁwa], for those linguistically inclined, is the correct pronunciation. But Montreal Canadiens fans and francophones already knew that. 

Patrick Roy, no relation.

As most of you, I dedicate an entire month to Canadian music.  This year, that included no less than three posts about today's artist.... including a song literally ABOUT her..... and another one in June!

What you don't know is that I really do sample my own supply.  I listen to this music.  And, one of my most listened to songs on Spotify in the month of March was "Apprendre Encore", by Ariane Roy, off her album medium plaisir.  "Plaisir" translates to "Pleasure", for those of my anglophone readers who don't know that (I didn't). 

(Editor's note (July 1):  It STILL IS one of my most listened to songs)

On Repeat list from Spotify, July 1st, 2026

Well, I really really wanted to feature that song during #MapleLeafMarch.  Unfortunately, there was no official video created for the song.  What WAS created was a 5-song showcase live film, directed by Adrian Villagomez, released to commemorate the release of that album.  And, since "Apprendre Encore" was included in the set (10 minutes in), but it was bigger than just one song, I went with it for today!

The whole performance is an absolute masterpiece and you should watch it.  Yes, there's a significant cameo, but this was Ariane's show, and she was absolutely crushing it (and clearly enjoying herself). 

30 June 2026 - Robert Palmer - Addicted To Love

As I write this, I am almost to the day the same age Robert Palmer was when he passed away.  Frankly, I'm a few days older. 

That's right.  I'm an old guy. Oblivion really is all I crave. 

Which is why I have such nostalgia for this song and video - featuring models that are supposed to look lie mannequins - when maybe I otherwise would not have. 

This 1985 single, from his album Riptide and written by Palmer himself, would become his signature song and a HUGE hit. The song was originally intended to be a duet with Chaka Khan, but she was removed from the song by her record label. 

Even though he couldn't do the song with Chaka, he did have a co-vocalist live in 1985.

 

Palmer was taken from us WAY too soon, in 2003.  Eat heart healthy, kids.  But that doesn't mean he slowed down.  In 1995, he filmed this version of the song for Danish television.... and he sounded JUST as solid as he did in 1985

Perhaps my favorite live performance of this song - with the most energy - is the one he did in 1991 with UB40.  Also, he always looked so dapper. 

29 June 2026 - Don't Mean Maybe - Colt 45

There was a brief time when I was a journalism major in college.

I mean, this shitty writing should tell you why that didn't stick. 

What DID stick was a lot of even more obscure music than I had ever heard before. You see, I was a college music DJ - it's where I met my former collaborator, Scott Colvin.  Our college radio station was programmed "classic rock", but during the late night, we switched to alternative music. 

Our late night director was Jonathan Falls, and he had a penchant for finding great underground music. 

This particular band and this particular song was his find.

The band hailed from Orange County, California, and were a trio that were clearly and heavily inspired by The Minutemen and fIREHOSE. Led by Mark Andrea, there were a lot of stop tempos and change-ups in their songs - and since none of them were really experienced in bands (their bassist only learned to play his instrument to play their FIRST SHOW - ironically opening for fIREHOSE), they could get inventive. 

Anyway, here's Don't Mean Maybe. 

26 June 2026 - Tiffany Day - NO LUCK

I really tried to not love Tiffany Day's new album HALO.  It's a frenetic hyperpop mess. 

But that's kind of the point.  Being a woman in her mid 20s right now is a frenetic hyperpop mess - so I hear.  I don't know, really. I'm not a woman in my mid 20s. I've never been a woman in my mid 20s. The fact that I can confidently state that is because HALO is just THAT good. 

In all seriousness, this is a woman with OCD making hyperpop about her OCD - that's precisely what this song is about - right down to the obvious overmedication and missing the days before she was medicated. 

Also, the music is just fun. 

 

Yes, she has perforned this live, and yes, the crowd knows the words, because they resonate. It's SMART hyperpop - some of the smartest made this year - and that is undeniable.

26 June 2026 - Ice Spice - Big Guy

Remember when Ice Spice did that song for the Spongebob Squarepants movie?

I frankly thought Ice Spice was done three years ago, but here we are. 

This short-ish song, which critics actually LOVED, marks a return to form - her classic simple lyrics and catchy beats.  Cowritten by Ice Spice and producer RIOTUSA ("Stop playin' with em, Riot"), it grows on you despite the song clearly being about a sea sponge's pants.  

Ice Spice also has a small part in the movie in making Spongebob into a.... big guy. 

25 June 2026 - U.S. Girls - Mad As Hell

We completely recognize the irony of a Canadian group called U.S. Girls.  

The bigger irony is that the Toronto-based project of Chicago-born-and-raised Meghan Remy - a solo project. And yes, the name of the project is in the plural. 

She moved to Canada in 2010 because she married a Canadian musician.  That's how. 

This song was a single from her 2018 album In A Poem Unlimited and, on the album (but NOT when released as a single ahead of the album), it is titled "M.A.H." but it is an identical song. Co-written with her husband, the whole album was shortlisted for the 2018 Polaris Music Prize. 

It's also a fun as hell song.   

By the time she performed the song on KEXP in 2018, the song had been retitled but it had not lost its biting wit and Meghan had not lost her delivery. 

It's the same fun as hell song. 

24 June 2026 - Simon & Garfunkel - Mrs. Robinson

This song is best known for its association with the 1967 film The Graduate.   How it came to be is interesting.  Mike Nichols really wanted the duo to write a song for his movie, but hated the ones they initially submitted.  In conversation, it turns out they were working on a song that Paul Simon had given a working title based upon a character in the film......

The working title stuck, and the song won two Grammy Awards, including Record of the Year - the first rock song to do so.  

You might hear that the version above - one of several used in the movie - is not the version you know.   That's OK.  They did the song in the version you DO know several times live, including this performance from 1968. 

Many people think their 1981 performance in front of 500,000 people in Central Park is the quintessential performance of this song. 

It's hard to argue with that.  The chemistry and the harmony is unequaled.