So, it's tough for me to justify posting much Canadian content outside of March.
And you don't get much more Canadian than Hamilton, Ontario's own Arkells. They have a lot of hometown pride - and they released a new album, Between Us, last month.
But for one of their singles, Arkells teamed up with John Gourley, better known as Portugal. The Man. He's from Alaska, AMERICA! So, checkmate. SUCK IT!
But seriously, it's a cool collaboration.
The night after their album was released, Arkells travelled to the States to perform the song.
OK, they drove like an hour to Buffalo. Seriously, Hamilton is closer to Buffalo than Rochester is. AND they have IKEA!
The crowd in Buffalo knew the Canadian national anthem by heart loved the new music, and with good reason - the band sang the hell out of it.
I have had this song sitting in my drafts for almost a decade.
In 1991, this was America's introduction to the Chicago rock gods. This was their very first single, and it blew me away from first listen. This song defined their fuzzy sound and marked their first use of the signature Big Muff pedal sound that dominated their Gish and Siamese Dream albums.
I still love this song. Billy Corgan bringing it quiet and mellow for 30 seconds at about the 1:50 mark and coming back to the bombast even stronger.... only to return to the quiet style for the last verse.... and get even more bombastic for the finish!
This song is a journey.
Back when Smashing Pumpkins had their original lineup and Billy Corgan had his original hair, this song was a staple of their shows - like this one in 1993 at a Siamese Dream release party. The band was tight!
Most of the band is back together here in 2019 (D'Arcy ain't coming back, ever), and they still sound tight, if not a little older and less bombastic.
But really, my favorite ever performance of this song is this one from a Tower Records in 1993. The band was performing acoustic for a group of fans camping out to buy Siamese Dream at midnight, and despite his reputation, Billy was absolutely charming with that little girl.
This new single, co-written by Finn Keene, A.G. Cook (the producers) and Charlotte Aitchson (because yes, I am using her gubmint name and not some kiss Charli kiss thing she came up with when she was 14), is probably not technically rock music, but it is the most guitar driven thing she's ever done.
And it is a polarizing departure for Charli. But also, like I said when "Vroom Vroom" came out in one of my least favorite posts on this blog, because I really still don't like "Vroom Vroom", it's still Charli. And, this time, I really like this. It's kind of an electronic/rock fusion, and I am here for it.
A couple of weeks ago, Irish hip-hop trio KNEECAP released their second album, FENIAN. The title of the album - and today's song - is both a term to refer to Irish revolutionaries and, not coincidentally, a slur referring to Irish Catholics.
KNEECAP - in all their Irish Catholic brashness - have taken their word back.
And not only are they brash, they released the best hip-hop album of the last year on May 1st, and arguably the best album of the year so far in any genre. It is melodic AND in your face. STRONGLY recommended.
They've already performed this and other songs from the album live, as in this April 30th performance in advance of the album's launch.
Happy 27th birthday to Sabrina Carpenter! Have we been posting her too much lately? Maybe. But she's one of the hottest stars right now and she's making great music, honestly.
But her overnight success was far from overnight. In fact, her first pop hit - making the top 30 in the United States - came off her 2nd album, EVOLution, released 10 years ago. This song, written by Muni Long and Steve Mac, was a top 30 hit in early 2017.
The video was done in one shot. No edits. She was 16.
Sabrina does not like this song anymore. She is 27 now. But she sure did perform it a lot in 2017.
My sister, Dawn, wrote to me yesterday to let me know that Bonnie Tyler had been placed into a medically induced coma (after surgery to repair a perforated intestine), in case I wanted to draft something.
Because, you know, Special Editions.
Well, I have to post this either way now. I'm holding out for not having to uncork a second one before too long.
This song was recorded in mid-1977, after Tyler has undergone surgery (in 1976) to remove nodules from her vocal cords. That surgery left the Welsh singer with a remarkably husky voice - which is better than not being able to sing, which she thought was going to happen.
That husky voice would end up being her first US top 5 hit (she'd have another later).
In 2004, Tyler rerecorded a bilingual version of the song with Kareen Antonn, a French singer. I think it works well as a duet - and Europe agreed, as it as a hit there once again.
The great thing about her voice is that is still sustains a half century later. This performance is from a month and a half ago. As an added bonus, the audience knows every word.
With the first single from this year's locket, Madison Beer has given this to us. It's sultry - oozing with sex - and brings a sharp disco beat - and it has become a pretty sizable hit on the dance charts in the US and elsewhere.
Is Madison Beer a modern day Donna Summer? Maybe. Is this a great dance/pop song? Absolutely.
It's that sexiness that probably got Madison Beer booked to perform this song at the 2025 Victoria's Secret Fashion Show.