"Volare". And Bobby Rydell's English language version is better known today.
But Domenico Modugno wrote the song. And, in 1958, it spent five weeks at #1 in the US, in THIS version, and was the biggest hit of 1958.. all while remaining faithful to its original Italiamn. To compare, Rydell's version hit #4 in 1960 - this was the bigger hit.
Almost certainly the best-known German language song outside of German, this little warning of the apocalypse was a big hit in the 1980s. Yes, people in the US were singing along to their death from nuclear attack.
And who would blame them?? This song is damned catchy.
In a bit of an oddity, an English language version of the song - slightly changing the narrative to be even a little darker - was released THIS VERSION DID NOT CHART, meaning the US audience preferred not to know what they were singing about, I guess.
Marmello were a K-Pop group with a twist - they played their own instruments. They were a bona fide band. Although they disbanded in 2019, we hope for a comeback, which isn't unprecedented in the K-Pop world - because they actually rocked kind of hard for a K-Pop group. I mean, this ain't metal - it's pop-rock - but it's not usual to see.
Less than three weeks after this single was released, the band reimagined the song, slightly changing the lyrics and title to be a rally song for the 2018 World Cup. It rocks just a little harder.
Gloria Trevi spent almost five years in a Brazilian prison on charges of endangering a minor. She was released due to lack of evidence. She has maintained her innocence (and divorced her DNA-provably guilty husband as a result of this).
My point on mentioning this up front is that she missed several years of her very successful music career, and when she was released from prison, she jumped right back in, feet first. She went away a crooner, and came back an EDM hitmaker - and let's be clear. In Mexico, she was welcomed back with open arms, with this and just about every other single she's released being a pretty big hit there.
In Brazil, not so much.
What did NOT change was Trevi's in-your-face style and bold lyrics, which she exhibits here.
For my English-language speaking audience, the title translates roughly to "Teach me". That is about the limit of the amount of French I speak.
Superbus is a French band, and this was a top 20 hit in that country in 2012. However, the band got its start because their lead vocalist, Jennifer Ayache, came to America to perfect her English, after which she wanted to start a band. I suppose the rationale was that English-language songs would sell better? At any rate, this isn't an English-language song (although some of their stuff is) and it did pretty well.
This song, as is a lot of this band's music, is heavily influenced by 1980's music, with a synthesizer playing a strong role.
This is the 900th post on Wicked Guilty Pleasures. It wasn't supposed to be our 900th post.
In fact, this was not a band I had heard OF before I posted #899 yesterday.
I first heard Charly Bliss on February 18th, 2021. They've been around for several years, but for some reason, I only stumbled upon them today. They are now in heavy rotation. This fun, perky, punky song that contains the line "I bounced so high I peed the trampoline" is perhaps my early favorite.
The band has been compared to Weezer, and I hear it. But they're somehow even quirkier than Weezer, and that's a good thing.
You know that I am going to add a live version of this song, right? From the 2017 Audiotree Music Festival in Kalamazoo, MI, you can see that the whole band is full of cohesive energy, with Eva Hendricks a solid frontwoman, and not just a vocalist.
Also, everything I hear about this band is that they are all very nice.
For all these reasons, I rewrote post #900. And I will revisit this band. They are incredible.
This isn't the first time I've posted about New Jersey Music Hall of Famers The Smithereens.
It IS the first time I have posted my absolute favorite song of theirs. Released in 1994 in support of their album A Date With The Smithereens, the Pat DiNizio-penned song is perfectly on brand for the band, if not a little more grungy. This was because we were living in a post-Nirvana world in 1994, and since Butch Vig - the guy who produced Nevermind - was supposed to produce this album, it makes a lot of sense.
However, a couple of weeks before recording was to start, Vig decided to drop the project, which prompted Capitol Records to drop the band. RCA picked them up quickly, and with great producer Don Dixon - who had produced their first two albums - the album was back on.
The song was far from a big hit, but it is a beautiful, angry, desperate breakup song.
Even though DiNizio has passed away, the band lives on with guest vocalists. Here they are in 2019 with special guest Marshall Crenshaw.
